tag:blogger.com,1999:blog-16414778698254721792024-03-13T19:45:43.886-07:00İnsel İnalUnknownnoreply@blogger.comBlogger120125tag:blogger.com,1999:blog-1641477869825472179.post-46751223749371819462021-12-02T02:11:00.000-08:002021-12-02T02:11:28.302-08:00LIFE - ART - RULERSHIP<div dir="ltr" style="text-align: left;" trbidi="on">
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LIFE - ART - RULERSHIP</div>
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<span lang="EN-US"> <span style="font-weight: bold;"> </span><span style="font-style: italic; font-weight: bold;">İnsel İnal</span></span></div>
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<span lang="EN-US">“Have I created it have I created it,</span></div>
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<span lang="EN-US">Have I created sorrow and torment</span></div>
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<span lang="EN-US">Have I created it if sin became delight</span></div>
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<span lang="EN-US">Have I created it if order became corrupt.</span></div>
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<span lang="EN-US">Orhan Gencebay</span></div>
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<span lang="EN-US">It is not so hard to understand today’s art. What is seen at first may seem a little hazy but actually this haze represents the haze between art and life.</span></div>
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<span lang="EN-US">In order to consume art, one should first get rid of codes. We know that in every era, art has problems with previous codes and the audience which is shaped by their perceptions and knowledge Marcel Duchamp declared that the retinal art is over, by making a fresh start with the line he has drawn between himself and his precedents and creating a new formation in perception. Is the era of the aesthetic appearance getting to an end? And is it getting to an end around the year 1910?</span></div>
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<span lang="EN-US">It has always been like this in the history of art. Even today, after 100 years, my students aged around 20’s, put barriers between themselves and Marcel Duchamp such as ‘play station’ and ‘youtube’. They have difficulty in understanding, when they come face to face with the artist who belongs to the previous century. Isn’t it strange? Would there be no problem if Duchamp used a brush and paint to depict a flower on the canvas? Maybe he would have been forgotten, since he had not managed to make himself memorable by making those kinds of paintings. Who knows…</span></div>
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<span lang="EN-US">The only unique aspect of Duchamp art was that it had no anxiety to resemble some other thing. It was not an imitation or an illusion, it had it’s own air. It was real, not a reflection of the reality.</span></div>
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<span lang="EN-US">Is art something that still imitates reality? Or is it some other reality altogether? Is it something that should be researched individually, something independent that makes it’s own existence without referring to anything else? Or is it a representation of a flower or a human being? Is it necessary to know and study nature and human to understand art or should we learn art together with all it’s relations according to the art contexts?</span></div>
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<span lang="EN-US">Currently, the artist produces art in order to define himself, not anything else. He serves himself, not anyone else. Just like the contemporary philosophers, but the difference is that he does this by using indicators, paint, canvas, objects, body and space.</span></div>
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<span lang="EN-US">This actually needs a bit more thinking. Because it would be a more correct move if we have knowledge about stylistic differences and think about them, before we define 2000's art and it’s function in order to understand them.</span></div>
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<span lang="EN-US">This process of thinking should bring out creative educational methods by triggering the educationalists as well. There are also the consumption methods. Museums and exhibition processes, collectors, exhibition methods and problematic occurrences in public areas are another aspect that completes art.</span></div>
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<span lang="EN-US">Generally I can say there are at least five topics to be considered while studying arts condition in every era. What art means, stylistic differences, methods of forming a dialogue, consumption process and education.</span></div>
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<span lang="EN-US">The most important aspect of Fluxus movement is that it blurs the border between life and art. This act of blurring is much discussed in performance art. The term “Blurring” means a lot to us.</span></div>
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<span lang="EN-US">In contrast to the fact that art shows, points to, imitates and justifies what is determined, especially when it comes to fluxus and his art, art and life gets intermingled. What is the point that art ends and life starts? Or where does life end and art starts?</span></div>
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<span lang="EN-US">Actually, neither of them starts where the other ends. The get mingled. When Beuys said "Thought is plastic" he indicated that every thought can be an art work. Like when he says “Everybody is an artist”, he indicates that everybody can be an artist.</span></div>
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<span lang="EN-US">This is one of the approaches that effected 70’s and the upcoming years. Questioning the audience-artist meaning and context once again, the art environments in which the exhibitor becomes the exhibit and the audience becomes the demonstrator, defining the difference between the artist and the activist, art's collaboration with not only it’s own disciplines but also with all the other areas have still been effective in today’s art. When we look at today, we see that art puts the concept of life in the centre. It conveys information through the art work. This is not something unknown. Maybe it is the knowledge of the things that have always been ignored and can’t be seen today, just because the opposite is widely known.</span></div>
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<span lang="EN-US">This relationship, which is concluded with a state of awareness between the audience and the content, creates an experience of art which does not give mere pleasure but finds a place in our minds. The audience tries to extend their awareness by using the artwork. And the artist creates an experimental dialogue between himself and the audience which will become the foundation of another, new project.</span></div>
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<span lang="EN-US">I do not know whether every artist creates his or her thoughts with this aim but the fact that an art work sticks in our minds is an important factor in the means of persistence of the art work. This persistence is closely related with the form of the content which conveys the information. Form has many different effects compared to the material. Many materials like canvas, paint, video, light, sound and projects that are shaped by body and object, represent different presentations of the artist's expression.</span></div>
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<span lang="EN-US">Especially, Arte Povera Group is in the search of a new language which will reinforce their expression. They use convertible, worthless materials in contrast to the art Works which are made of shiny and accepted materials and are seen in elite, sterile galleries.</span></div>
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<span lang="EN-US">Also, by using these semiotic, sub-statements the artists wanted their artwork to be seen as an act which confronts the museums. Art can not be seen as commodity and what is important about art is it’s content rather than it’s material. If an artwork which should be produced by using precious materials can be produced by using materials that will disappear, then different contexts created by different materials will give birth to a new language. </span></div>
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<span lang="EN-US">Post Object Art movement seems more comprehensible and acceptable when we consider it this way. While art without an object relies on the principle of expressing, by giving emphasis to linguistic and semiotic theories, textual based projects are developed. According to me, the most basic purpose is to reshape art and to consider it’s functions. Every movement gathered under the name of conceptual art, developed projects in which thought has the first place by reshaping art. Video, happening and performance, body, earth, the poor and the minimal art confirmed to the criterion of conceptual art and created their own existence.</span></div>
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<span lang="EN-US">Presentation of the projects and these knowledge conveying objects’ themselves becoming knowledge objects created the necessity to hide these objects and their documentations. In this context, in the process until today the museums shaped their fictional structure according to the ideology and sensitivity which are mostly included in the projects of artists (Andy Warhol, Daniel Buren, Daniel Spoerri, Robert Filliou, Bertrand Lavier, Hans Haacke, Joseph Kosuth) and writer intellectuals (Bruce Ferguson, Adorno, Marcel Proust, Hal Foster). </span></div>
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<span lang="EN-US">Because, now the artist’s desire is to establish a connection with the audience through the content of the artwork. Even most of the artists are forming their artwork based on the dialogues they produce. </span></div>
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<span lang="EN-US">Establishing connections through the art project is considered as an important fact in today’s art. We also see that the dialogues formed through art are placed in the centre of many artworks. We can even say forming dialogue through artwork is the aim, rather than a step during the process. </span></div>
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<span lang="EN-US">Although dialogue forming seems to be one of the most important methods of creating awareness, there are also other reasons for forming a dialogue. It erases the differences between the artist and the audience and thus creates a more democratic environment. This means everybody is equal. There is no difference.</span></div>
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<span lang="EN-US">Just like the fact that art is for everyone. These things I tell still seem incomprehensible to many people. Mostly they claim that art should be material oriented. But my personal opinion is that it is necessary to render the education process in art from being craft centered. The art education should teach the potential artists to express their ideas and to set their position in life to create and to consolidate. The education should start with the artist who recognizes his environment and internalizes the events. If we accept that art is formed according to the problems and is reinforced by the thinking theories about the problematic issues, we can create the candidate’s diversity only by establishing his relation with the environment. The process of knowing what is happening around you should start with daily newspapers, and should develop by recognizing and commenting on them. This process should later on lead us to this question which comes from the initializing of the problems: “What can I do?”. Undoubtedly, when it comes to the art student, this question would create the desire to intervene. The strife-project which is developed under the supervision of the educator during and after the intervention will become the word of the student.</span></div>
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<span lang="EN-US">Because, the internalization of the experience and the attitude will create the word. Word will trigger the dialogues.</span></div>
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<span lang="EN-US">These strife-projects which will encourage cultural awareness will also teach the power of art to the student. </span></div>
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<span lang="EN-US">To sum up, I can say that the procedure of producing today’s art is as hard as the one followed in order to understanding it. Today nobody can become persistent by saying “I will stay at home or at the workshop, I will paint and everybody would think I am a painter. I will use the materials most effectively. What should I produce today?” The artworks of those who has a problem, who knows awareness, who does not hide and likes to be different, who recognizes himself and his environments, who dos not ignore but perceive, who reshapes the concepts, who does not look for a hierarchical relationship between disciplines and materials and who desires to destroy all hierarchical concepts will become the art criterion for the years 2000.</span></div>
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<span lang="EN-US">The tendency to ask the question “What is this? Is this art, an experiment or a research?” to someone and/or to a group whose aim is to create dialogue with their project in a moment or an environment in which all the means of escaping are limited by the rulership will indirectly make the consumption and conversion in art easier. This is really important in the means of the arts developing, consumption and conversion. This privilege, which can not be achieved even by the rulership members who desire equality and want to have a better picture of community by expansions, only exists in art.</span></div>
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<span lang="EN-US">In this context, I can not prevent myself from thinking that the art of 2000 is even more powerful than the rulership.</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-83445960083681724762018-11-14T01:00:00.007-08:002021-12-02T02:20:49.854-08:00Spider's Web (Sergi)<span style="background-color: black; color: red;"><span style="font-size: 18px;"><span face=""arial" , "helvetica" , sans-serif"><br /></span></span>
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<span face=""arial" , "helvetica" , sans-serif" style="background-color: black; color: red;"><span style="font-weight: 400;">İstanbul Kültür Üniversitesi'nde </span>'Örümcek Ağı' </span></h1>
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<span face=""arial" , "helvetica" , sans-serif" style="background-color: black; color: red;">14 Kasım - 7 Aralık 2018</span></div>
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<span><span style="background-color: black; color: red;"><span face=""arial" , "helvetica" , sans-serif"><span style="font-weight: 400;">İstanbul Kültür Üniversitesi Sanat Galerisi, Fırat Arapoğlu küratörlüğünde düzenlenen </span></span>'Spider's Web/Örümcek Ağı' <span face=""arial" , "helvetica" , sans-serif" style="font-weight: 400;">sergisine ev sahipliği yapacak.</span></span></span></h2>
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<span face=""arial" , "helvetica" , sans-serif" style="background-color: black; color: red;">İstanbul Kültür Üniversitesi Sanat Galerisi (İKÜSAG), Fırat Arapoğlu küratörlüğünde düzenlenen 'Spider's Web/Örümcek Ağı' isimli sergiyle beş ayrı sanatçıyı ağırlayacak. 'Yeni Türkiye' adlı video çalışmasıyla İnsel İnal, 'Geriye Dönüş & Deja-vu Arasında III' adlı video çalışmasıyla Krassimir Terziev'in konuk olacağı sergide; Didem Erbaş 'Sıcak Ağustos' başlıklı tuvalleri ve 'Bilinmeyen Bölge' başlıklı kağıt çalışmalarını, Çağrı Saray 'Unutmanın Eşiği: Harita' isimli dijital-baskı çalışmasını, Maria Papadimitriou ise 'Ulus-Ötesi' isimli video-yerleştirmesini sanat severlerin beğenisine sunacak.</span></div>
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<span face=""arial" , "helvetica" , sans-serif" style="color: red;"><a href="https://www.uniaktivite.com/etkinlik/kulturel/spiders-web-7164358" style="background-color: black;">Haber Linki</a></span></div>
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<span face=""arial" , "helvetica" , sans-serif" style="color: red;"><a href="https://www.dha.com.tr/kultursanat/spiders-web-sergisi-ikusagda-kapilarini-acti/haber-1610032/video/" style="background-color: black;">Sergi videosu için tıklayınız</a></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-61461953712063140472018-10-09T02:10:00.002-07:002021-09-27T00:28:52.196-07:00Akdeniz Üniversitesi SSED Konferansı<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Konuşma Metni için <a href="https://docs.google.com/document/d/17DH9wr-gTmR6cT8K3Gg5AGhK6O2OfbVzSH40kV6ubBA/edit?usp=sharing">tıklayınız</a>.</span></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-47566615992523647622018-05-04T03:11:00.000-07:002021-09-27T00:28:15.163-07:004. Mardin Bienali<div style="text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>4. Mardin Bienali</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://www.mardinbienali.org/">http://www.mardinbienali.org/</a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mardin’i modern sanatın merkezi haline dönüştürebilmek düşüncesiyle 4 Haziran-5 Temmuz 2010 tarihleri arasında 1. Mardin Bienali düzenlenmiştir. Bienal Mardin’in benzersiz tarihsel mimarisi ve Mardin halkının gündelik hayatıyla kaynaşan mekânlarında gerçekleşmiştir.Tarihsel, kültürel ve coğrafi zenginliklerle dolu olan Mardin kenti, güncel sanatçılar için ilk kez bu kadar farklı ve yoğun bir deneyim alanı olmuştur. Tarihsel ve mekânsal olarak zengin geçmişe sahip Mardin’in eşsiz mimarisiyle bütünleşen sanat etkinlikleri, dünyanın kültür ve sanat haritasında kalıcı bir yer edinmesinde önemli bir etken olacaktır. Mardin, 1.Bienal ile yine yeni paylaşımlara tanık olmuştur ve olmaya devam edecektir. Uluslararası sanat camiası ile yerel ve uluslararası sanatçıların fikir alışverişinde bulunmaları sağlanmış, çok amaçlı bir kültürel buluşma gerçekleştirilmiştir.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mardin Bienali, sanat yoluyla Mardin coğrafyasını sanatçılar, akademisyenler, öğrenciler ve farklı kültür topluluklarıyla hareketlendirmek, yeni paylaşım ortamları yaratmak, sanatta alışılagelmiş ‘merkez’ fikrinin tanımına yeni boyutlar getirmek ve Mardin’i saygın sergiler dizisiyle merkezi bir konuma oturtmayı amaçlamaktadır.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">İlki 2010 Haziran ayında gerçekleşen Mardin Bienali’nin ikincisi yine GAP İdaresi, Mardin Valiliği, Başbakanlık Tanıtma Fonu işbirliğiyle ve özel sektörün katkılarıyla 21 Eylül-21 Ekim 2012 tarihleri arasında düzenlenmiştir. Üçüncüsü Mardin Sinema Derneği tarafından ve özel sektörün desteğiyle 15 Mayıs -15 Haziran 2015 tarihleri arasında gerçekleştirildi. 4. Mardin Bienali 04 Mayıs - 04 Haziran 2018 tarihleri arasında gerçekleşecektir.</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Küratörler</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Fırat Arapoğlu, Derya Yücel, Nazlı Gürlek</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 14.6667px; text-align: start;">Albena Baeva / Ali Emir Tapan / Ana Mendieta / Aslı Bostancı / Aydın Teker / Bilge Alkor / CANAN / Cengiz Tekin / Ceren Oran&Burcu Yılmaz / Chaw Ei Thein / Chris Burden / Çağrı Saray / Didem Erbaş / Eda Aslan / Emre Zeytinoğlu / Fırat Bingöl / Gizem Aksu / Guy Ben-Ner / Hasan Pehlevan / Huo Rf / İhsan Oturmak / İnsel İnal / İpek Duben / Janis Rafa / John Gerrard / Julian Stallabrass / Ken Friedman / Lewis Hine / Leyla Postalcıoğlu / Iliko Zautashvili / Magali Duzant / Mahmut Celayir / Maria Papadimitrou / MERKEZKAÇ / Metin Çelik / Mustafa Avcı / Mürsel Argunağa / Nasan Tur / Özlem Altın / Parastou Forouhar / PELESİYER / Ramize Erer / Romina Meriç / Sara Kostic / Senem Gökçe Oğultekin / Serkan Taycan / Seyhun Topuz / Simon Faithfull / Taner Ceylan / Youssef Nabil</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>“Dumansız Hava Sahası”</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>2018</b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>İki-kanallı video-enstalasyon </b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>(değişen ölçüler)</b></span></div>
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<span id="ContentPlaceHolder1_Label5"><span style="font-family: "arial" , "helvetica" , sans-serif;">“Bundan üç yıl önce Mardin’de tanıştığım bir genç bana ikram ettiği tütününün hikayesini anlatırken çok heyecanlıydı. Dedesinden beri tütünle büyüdüğünü, tütünün ailesi için önemini ve geleneklerinde tütünün yerini uzun uzun anlatması ile başladı, bu proje. O genci bulmam zor olmadı. Köyüne, Kızıltepe Xurs Vadisi’ne giderek köydeki insanların bu gelenek ve ötesinde bugünle ilişkilerini merak etmeyle, proje şekillendi. Bu kayıt, tütün meseleleri üzerinden Türkiye’nin küçük bir panoramasıdır. Xurs Vadisi yaşayanları, tütün bahçeleri, gündelik siyasetle ilişkileri, tütün politikaları gibi bir çok konunun dahil olduğu bu belgesel, her gün yeniden en baştan yazılan tarihin bir demosudur. Geleneklerin ve belleğin gündelik yaşamdaki etkisinin belgesidir. Tüm Mardin, Kızıltepe ve Xurs Vadisindeki dedelerinden beri tütün üreten ve işleyen tanıdığım herkese, ayrıca bu filmin çekilmesi ve montajına gönüllü katkısından dolayı Eren Eryol’a ve yazılıma dair katkısından dolayı Ramazan Subaşı’na teşekkürlerimle." </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">İnsel İnal </span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-52928918067468792052018-04-25T03:25:00.000-07:002021-09-27T00:28:43.266-07:00Fransa Sempozyum bildirisi<div style="text-align: center;">
<b>Uluslararası Paris Sanat ve Tasarım Sempozyumu </b></div>
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<b>“SANAT, TASARIM VE NESNE”</b></div>
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<b>25-29 Nisan 2018 Paris, FRANSA</b></div>
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<b><a href="https://docs.google.com/document/d/1HWsxGham_2bfL-tk1WgtOgaOBnFqk23XhrFvvJEzVAw/edit?usp=sharing">Konuşma tam metni için tıklayınız</a></b></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-52714380381904401612018-03-15T04:26:00.000-07:002021-09-27T00:29:01.731-07:00"Kamusal Alanların Çağdaş Sanatla İlişkisi" Konferans<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-17312815709916028882018-01-25T05:49:00.001-08:002021-09-28T06:51:05.707-07:00Base Etkinlik Konuşması<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-87356393503984318952017-11-07T05:31:00.003-08:002021-09-27T00:29:11.911-07:00Panel I Geleceğe Dönüş: Performans Sanatı<div class="separator" style="clear: both; text-align: center;">
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<b style="font-size: x-large;"><span style="background-color: black; color: white; font-family: "arial" , "helvetica" , sans-serif;">Performans Sanatı</span></b></div>
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<b><span style="background-color: black; color: white;"><span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; text-align: left;"><span itemprop="startDate" style="font-family: inherit;">23 Kasım Perşembe</span></span><span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; text-align: left;"> </span><span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; text-align: left;">19:30</span><span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; text-align: left;"> - </span><span style="font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; text-align: left;">20:30</span></span></b></div>
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<span style="color: white; font-family: "helvetica" , "arial" , sans-serif;"><a href="http://endlessarttaksim.com/event.php?id=16" style="background-color: black;">http://endlessarttaksim.com/event.php?id=16</a></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">Istanbul Performance Art’ın organize ettiği paneller serisinin ilki ‘Geleceğe Dönüş: Performans Sanatı’ başlığında sanat yazarı/akademisyen/AICA Türkiye Başkanı Fırat Arapoğlu, sanatçı/akademisyen İnsel İnal ve sanatçı/küratör/Istanbul Performance Art kurucu direktörü Pınar Derin Gençer tarafından Endless Art Taksim iş birliği ile 23 Kasım tarihinde gerçekleştirilecektir.</span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">1960’lı yıllardan bu yana ağırlıklı yer tutan Performans Sanatı zaman, mekan, sanatçının bedeni ve sanatçı ile izleyici arasındaki ilişki olmak üzere dört ana elementin birlikteliğinden doğar. Mesajın yerine süreç, sözün yerine beden geçer. Bir kez yapılır ve tekrarı yoktur. Sanatçı ve katılımcıs<span class="text_exposed_show" style="display: inline;">ı için geçici, özgün, tekrarlanamayan ve kaydedilemeyen bir deneyim yaşamak, yalnızca bir an için var olmak ve izleyicisinin belleğinde varlığını sürdürmektir aslolan. Disiplinlerarası yaklaşımı ile müzik, dans, şiir, tiyatro, video gibi diğer sanat alanlarını kapsayan bir ifade tarzını inşa eder. Performans Sanatı ile özne-nesne, bakan-bakılan, gösterge-gösterilen ayrımları sorgulanmaya, sınırlar muğlaklaşmaya ve roller yer değiştirmeye başlamıştır.</span></span></span></div>
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<span style="background-color: black; color: white; font-size: large;"><span class="text_exposed_show" style="display: inline;"><span style="font-family: "helvetica" , "arial" , sans-serif;">Bu panelde doğası gereği nesne temelli olmayan, deneyime dayalı icra edilen Performans Sanatı’nın bugün ve geleceğe dair konumlandırılması, beden-mekan ilişkisi, dokümantasyon ve arşivlenme sorunları üzerinde durulacaktır.</span></span></span></div>
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<span style="background-color: black; color: white; font-size: large;"><span class="text_exposed_show" style="display: inline;"><span style="font-family: "helvetica" , "arial" , sans-serif;">Endless Art Taksim ve İstanbul Performance Art iş birliği ile gerçekleştirilecek “Geleceğe Dönüş: Performans Sanatı” başlıklı panele tüm sanatseverler davetlidir.</span></span></span></div>
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Konuşmacılar : Fırat Arapoğlu, İnsel İnal, Pınar Derin Gençer</div>
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Tarih : 23 Kasım 2017</div>
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Saat : 19:30-20:30</div>
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Panele katılım ücretsizdir.</div>
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Poster Tasarım: Zafer Lehimler</div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-51134329185716007202017-11-07T05:19:00.001-08:002021-09-27T00:29:20.549-07:00Düşleyebileceğin tek yer \\ The only place where you can dream… Tüyap Sanat Fuarı<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><span style="color: white; font-family: "helvetica" , "arial" , sans-serif;"><b style="background-color: black;">Düşleyebileceğin Tek Yer… </b></span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">4-12 Kasım 2017</span></span></div>
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<span style="color: white; font-size: large;"><span style="background-color: black; font-family: "helvetica" , "arial" , sans-serif;">Artist Ütopya 2017</span></span></div>
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<span style="background-color: black; color: white; font-size: large;"><span style="font-family: "helvetica" , "arial" , sans-serif;">27. İstanbul Sanat Fuarı</span></span></div>
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<span style="background-color: black; color: white; font-size: large;"><span style="font-family: "helvetica" , "arial" , sans-serif;">Tüyap Fuar ve Kongre Merkezi, Büyükçekmece - İstanbul</span></span></div>
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<span style="font-family: "helvetica" , "arial" , sans-serif;">Mustafa Avcı</span><br style="font-family: helvetica, arial, sans-serif;" /><span style="font-family: "helvetica" , "arial" , sans-serif;">Dilan Bozyel</span><br style="font-family: helvetica, arial, sans-serif;" /><span style="font-family: "helvetica" , "arial" , sans-serif;">İnsel İnal</span><br style="font-family: helvetica, arial, sans-serif;" /><span style="font-family: "helvetica" , "arial" , sans-serif;">Berna Kurt</span><br style="font-family: helvetica, arial, sans-serif;" /><span style="font-family: "helvetica" , "arial" , sans-serif;">Maria Papadimitriou</span><br style="font-family: helvetica, arial, sans-serif;" /><span style="font-family: "helvetica" , "arial" , sans-serif;">Yusuf Murat Şen</span><span class="text_exposed_show" style="display: inline; font-family: "helvetica" , "arial" , sans-serif;"><br />Krassimir Terziev<br /><br />Küratör: Fırat Arapoğlu<br /><br />Tasarım: Öznur Işır Yarkataş<br />Çeviri: Kardelen Erkmen<br /><br /><br /><br /><br />“Var olan toplumsal koşulların değişimi üzerine olan inançtır, Ütopya.<br />O halde “ideal” bir coğrafyayı işaret eden “ütopya” kavramı üzerine neler söylenebilir? Ütopyanın aktüel bir gerçekliğinin olmadığı ve yakın vadede ele geçirilmesinin mümkün olmadığı iddia edilmekte. Peki, ya aslında ütopyalarda hayal edilen geleceklerin henüz oluşum halinde olduğu bir zamanda yaşıyorsak?<br />***<br />Spekülatif bir gelecek kurgusunun iki ucu: Ütopya ve Distopya. Bu iki alan, modern gerçeklikle daimi bir çelişki yaratırken, öte yandan toplum nezdinde hep bir vizyonu da çizmektedir. Herkes, ister bilimkurgusal bir tasarımı ister temsili bir düşünme pratiğini işaret etsin, bu hikayelerden etkilendi/etkilenmekte. Hepimiz öyle ya da böyle bu kurguları merak ettik ve her birini okuduğumuzda, hayalimizde bu kurguyla hayatın nasıl olacağına dair düşüncelerle dolduk. Kaç farklı gelecek türü bizi etkilemedi ki? Ütopik dünyaların amaç ve anlamlarıyla distopik olanların farkları nedir ve birbirlerinden nasıl ayrılırlar? İşte bu sorular, bu serginin ortaya çıkmasına neden oldu. Sahi, her yapıt bir ütopya ya da distopya değil midir?”<br />**</span></span><br />
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<span style="color: white; font-size: large;"><span style="background-color: black; font-family: "helvetica" , "arial" , sans-serif;">The Only Place Where You Can Dream…</span></span></div>
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<span class="text_exposed_show" style="background-color: black; display: inline; font-family: "helvetica" , "arial" , sans-serif;"><br />Mustafa Avcı<br />Dilan Bozyel<br />İnsel İnal<br />Berna Kurt<br />Maria Papadimitriou<br />Yusuf Murat Şen<br />Krassimir Terziev<br /><br />Curator: Fırat Arapoğlu<br /><br />Design: Öznur Işır Yarkataş<br />Translation: Kardelen Erkmen<br /><br />Artist Ütopya 2017 – 27th İstanbul Art Fair<br />November 4-12, 2017<br /><br /><br />“Utopia is the belief about the change of the existing conditions.<br />In that case, what can be said about the concept of “utopia” referring to an “ideal” geography? It is claimed that utopia doesn’t have any actual reality and that it isn’t possible to carry it out in the near future. So, what if we live in a time when the tomorrows imagined in utopias are in the formation process?<br />***<br />Two edges of a speculative fiction of the future: Utopia and Dystopia. These two spaces create a permanent conflict with modern reality, while determining a vision in the presence of society. Everyone was/is influenced by these stories whether it refers to a science-fictional design or representative thinking practice. We all wonder about these fictions in one way or another and when we read each of them, we are filled with thoughts about how life would be like with these fictions. We have been influenced by many types of future, haven’t we? What are the differences between the aims and meanings of utopic and dystopic worlds and how do they differ from each other? These questions inspired this exhibition. Really, isn’t every work a utopia or a dystopia?”<br />---------------<br />The Only Place Where You Can Dream…<br /><br />ARTIST - UTOPIA<br /><br />ARTIST 2017 / 27th Istanbul Art Fair deals with utopias under three categories: historical, conceptual and actual. We embark upon an expedition to utopias with exhibitions, concerts, performances, discussions, workshops, screenings and publications. We reach from 13th century Anatolian dervishes and Şeyh Bedreddin to the Soviet Avant-garde, from cyborgs and science fiction to alternative economies, ecological movements, and pedagogic experiences. We discuss the political aspects of the different concepts of temporality borne by utopia. We try to comprehend the perception of history today that makes utopias impossible. We call for discussions of utopia as a concept across relationships of nostalgia and freedom, politics and esthetics, art and design. "Realist Utopias" have room for production and consumption cooperatives that have become more important amidst waves of financial crises, queer and feminist lifestyles, and utopias that breathe in the body and nature.</span></span><br />
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<span style="color: white; font-size: large;"><span class="text_exposed_show" style="background-color: black; display: inline; font-family: "helvetica" , "arial" , sans-serif;">ARTIST 2017 / 27th İstanbul Art Fair, as part of the event, will host the exhibition “The Only Place Where You Can Dream…” consisting of works of Mustafa Avcı, Dilan Bozyel, İnsel İnal, Berna Kurt, Maria Papadimitriou, Krassimir Terziev & Yusuf Murat Şen and curated by Fırat Arapoğlu between November 4-12, 2017.</span></span></div>
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“Utopia is the belief about the change of the existing conditions.<br />In that case, what can be said about the concept of “utopia” referring to an “ideal” geography? It is claimed that utopia doesn’t have any actual reality and that it isn’t possible to carry it out in the near future. So, what if we live in a time when the tomorrows imagined in utopias are in the formation process?<br />***<br />Two edges of a speculative fiction of the future: Utopia and Dystopia. These two spaces create a permanent conflict with modern reality, while determining a vision in the presence of society. Everyone was/is influenced by these stories whether it refers to a science-fictional design or representative thinking practice. We all wonder about these fictions in one way or another and when we read each of them, we are filled with thoughts about how life would be like with these fictions. We have been influenced by many types of future, haven’t we? What are the differences between the aims and meanings of utopic and dystopic worlds and how do they differ from each other? These questions inspired this exhibition. Really, isn’t every work a utopia or a dystopia?” Fırat Arapoğlu<br /><br />The Only Place Where You Can Dream…<br /><br />Mustafa Avcı<br />Dilan Bozyel<br />İnsel İnal<br />Berna Kurt<br />Maria Papadimitriou<br />Yusuf Murat Şen<br />Krassimir Terziev<br /><br />Curator: Fırat Arapoğlu<br /><br />Design: Öznur Işır Yarkataş<br />Translation: Kardelen Erkmen<br /><br />Artist Utopia 2017 – 27th İstanbul Art Fair<br />November 4-12, 2017</span></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-74977347561934208222017-10-24T05:51:00.000-07:002021-09-27T00:29:30.532-07:00Student Video Art Festival<span style="background-color: white;"><span style="font-size: large;"><span style="font-family: "helvetica" , "arial" , sans-serif;"><br /></span></span>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">The fourth edition of the Student Video Art Festival Shumen 2017 will be opened on October 24, 2017 (Tuesday) at the Art Gallery “Universitetska” of the Pedagogical Faculty of the Konstantin Preslavski University of Shumen. The festival is organized by the Department of Visual arts. </span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">This year, in the festival participate students and professors from the National University of Arts in Bucharest, Mimar Sinan University of Fine Arts in Istanbul, Veliko Tarnovo University "St. St. Cyril and Methodius ", Kojzali University in Izmit, Shumen University and others.</span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">On October 24th, the fourth SVAF will open with a special selection from the Varna “Quarantine” Film Festival, prepared by one of its curators Tsvetan Krastev. The rest of the program will feature selected productions of all participating universities.</span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">The students will take part in a creative workshop under the slogan "Repeat All" supported by mentors Viktor Petkov, Georgi Krastev, Valya Andonova and others.</span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">The SVAF is organized with the support of Rector of the Konstantin Preslavski University and Dean of the Pedagogical Faculty. </span></span></div>
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<span style="font-size: large;"><span style="background-color: black; color: white; font-family: "helvetica" , "arial" , sans-serif;">The awards for the competition part of the festival have been provided by patrons from the Netherlands and Switzerland. The award ceremony will take place on October 27, 2017 (Friday) at 11.00 am at the Art Gallery “Universitetska”.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "helvetica" , "arial" , sans-serif;"><span style="background-color: black; color: white;">Curator of the fourth edition of Student Video Art Festival Shumen 2017 is Prof. Valeri Chakalov.</span></span></span><br />
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</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-11173788560238931702017-09-23T06:30:00.000-07:002021-09-27T00:29:39.282-07:00Bilgi Üniversitesi<div style="text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b>23 Eylül 7 Ekim</b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-70201443307883651722017-09-21T06:18:00.000-07:002021-09-27T00:29:48.083-07:00varna sergi<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;">Did You Know?</span></div>
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<span style="font-size: large;">Boris Georgiev City Art Gallery</span></div>
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<span style="font-size: large;">21 24 Sep 2017</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-3192941939485515542017-06-01T03:08:00.000-07:002021-09-27T00:29:58.423-07:00Mükerrem Baki Öyküsü<div style="box-sizing: border-box; text-align: justify; transition: all 0.5s ease 0s;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Dikkatli olmak lazım: Bir Mükerrem Baki öyküsü...</span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">Sanat, sermaye ve diğerleri...</span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;"><br /></span></span><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Türkiye’de yaklaşık son 20 yıldaki değişimlerden çağdaş sanat da nasibini haliyle aldı. Artık sanat, tarihindeki külliyattan ayrılarak şekillenen, dallanıp budaklanan, içinde bulunduğu toplumda herhangi bir hareketi tetiklemeyi amaçlamayan, sadece satışa odaklı başarı kriterlerinin akıl almaz boyutlarda satışlara endekslendiği bir alan. Sadece sermaye kurumlarının güdümünde iktidarın dilini kuvvetlendirmek üzre şekillenen bu sanat alanı, çoğu sanatçı adayını da hayal kırıklıklarıyla dışına savuruyor.</span></span><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Ranta odaklanmış iktidar, sermaye işbirliğinin, herşeyi kar ve zarar ilişkisiyle değerlendirme zihniyeti, sanatın ontolojisine en büyük darbeyi indirmiş durumda.</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://haber.sol.org.tr/blog/kent-kultur-sanat/insel-inal/dikkatli-olmak-lazim-bir-mukerrem-baki-oykusu-198406" target="_blank">Yazının devamı için tıklayınız...</a></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-10666183248175394952017-04-04T04:53:00.000-07:002021-09-27T00:30:09.161-07:00KATMANLARI AÇMAK<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Katmanları Açmak / Unfold</span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF9R_nRYRnM8K-6VakFIoovgoGhH9a__PEh_tNNQlNZ3yytUW_GR1dbdXyuKsljNexIMjAl_oxFSCkFkZZav8VuD6uag9Ddx2KtIpIVUPTR0qTCq1OAu7XtT5VA8iwzNxLqZoxjmPDLcbn/s1600/katmanlari-acmak-unfold-1921.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF9R_nRYRnM8K-6VakFIoovgoGhH9a__PEh_tNNQlNZ3yytUW_GR1dbdXyuKsljNexIMjAl_oxFSCkFkZZav8VuD6uag9Ddx2KtIpIVUPTR0qTCq1OAu7XtT5VA8iwzNxLqZoxjmPDLcbn/s640/katmanlari-acmak-unfold-1921.jpg" width="640" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Videoist'in Ankara'da bulunan sanat mekanı </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Arte'</span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">de gerçekleştireceği sergisi </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Sergi 4 Nisan-6 mayıs 2017 </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">t</span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">arihleri arasında sanatseverlere açık olacak. </span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Sergi videonun arkaplanını temsil eden elektriksiz mecra ile birlikte videonun kavramsal ve dokümana dayalı dilsel yönüne odaklanıyor.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Video Sanatı üreten sanatçıların yapıtlarının gelişiminin bir haritasını çıkarmak </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">için videonun fişe takılmadan önceki süreci ile fişe takıldıktan sonrasını birlikte </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">sergilenecek olan sergi, bu bilginin tanıkları olarak çizimleri, metinleri ve objeleri, </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">kısacası filmin oluşum aşamasındaki her materyali serginin ana malzemesi haline </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">getiriyor.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Videoist bu güne kadar kendinden organize bir sanat kolektifi olarak kuratöryel </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">sistemin içinde çatlaklar yaratan bir tutum sergiledi. Yaptığı etkinliklerde, çağdaş </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">sanat kurumlarının oluşturduğu dizgeleri geriye sarıp sanatçı merkezli </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">olarak yeniden okumayı denedi ve Video sanatı aracılığı ile video </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">özelinde çağdaş sanatın arka planı ve katmanlarını ortaya çıkarmaya çalıştı.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Videoist bu sergide Gülsün Karamustafa, Guy Ben-Ner, Benjamin Stumpf- </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Antje Feger, Khaled Hafez, Hera Büyüktaşçıyan, Nancy Atakan, Yeni Anıt, </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Hülya Özdemir, TUNCA, Ferhat Özgür, İrem Tok, Yıldız Doyran, Serdar Y</span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">ılmaz, İnsel İnal, Kaya Hacaloğlu gibi sanatçıları biraraya getirmenin yanı sıra </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">yazınsal deneyime sahip iki isim olan, Fırat Arapoğlu ve Barış Acar'ı projeye </span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><span style="font-family: arial, helvetica, sans-serif;">dahil ederek küratöryel sistem öncesi ser</span><span style="font-family: Arial, Helvetica, sans-serif;">gi kolektivitesinin de altını çizmektedir.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="http://haber.sol.org.tr/kultur-sanat/ankarada-katmanlar-sergisi-gerilimin-katmanlarina-bakmak-191984"><i>Sol Gazetesindeki yazı için</i></a></span><br />
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<a href="https://vimeo.com/248489337"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i>Sergi konuşmasını dinlemek için</i></span></a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-71459800867427925462017-03-10T05:02:00.000-08:002021-09-28T06:51:51.282-07:00ODTÜ Sanat Günleri <span style="background-color: white;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span></span>
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<span style="background-color: black; color: white;"><a href="http://www.etkinlikler.org/anasayfa-ankara-etkinlikler/odtu-sanat.html">10 Mart – 09 Nisan 2017</a></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-48792162967319416122016-11-01T00:27:00.000-07:002021-09-28T06:52:03.619-07:00impact videofest<br />
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İZMİR, IMPACT VİDEOFEST’E EV SAHİPLİĞİ YAPIYOR</h1>
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Türkiye’de üretilen performans videoları arasından bir seçki sunan <span style="border: 0px; font-family: inherit; font-style: inherit; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“Impact- Videofest Projesi” </span>bu yıl ilk defa 1 – 30 Kasım 2016 tarihleri arasında İzmir Büyükşehir Belediyesi Ahmed Adnan Saygun Sanat Merkezi ev sahipliğinde <span style="border: 0px; font-family: inherit; font-style: inherit; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">İzmir</span>‘de düzenleniyor.</div>
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Direktörlüğünü <span style="border: 0px; font-family: inherit; font-style: inherit; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Emre Gökçen</span>’in, küratörlüğünü ise <span style="border: 0px; font-family: inherit; font-style: inherit; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Ebru Nalan Sülün</span>’ün üstlendiği proje; Türkiye’de 1980’lerden günümüze üretilmekte olan video yapıtlarının içerik, biçim ve estetik kaygılarının günümüze özgü sanat estetiği ve eleştirisi açısından değerlendirilmesi, bu konuda öncülük yapan sanatçıların görünür kılınması, söz konusu video sanatı birikiminin bir arşivinin oluşturulması amaçlarını taşıyor. Festival ayrıca; Türkiye’de video üreten sanatçıların üretimlerinin proje kapsamında sınıflandırılması ile birlikte video sanatı üzerine tartışma yaratmayı da amaçlıyor. Festival, sınıflandırma bakımından her yıl farklı yaklaşımlara odaklanacak bir video festivali serisinin ilki olma özelliğini taşıyor.</div>
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Proje; Yeni Anıt, Cengiz Bodur, Handan Dayı, İpek Duben, Nezaket Ekici, Genco Gülan, Erdal İnci, Ferhat Özgür, Hülya Özdemir, Komet, Neriman Polat, Özlem Şimşek ve VİDEOİST inisiyatifinin seçkisi dahilindeki Tunca, Şefik Özcan, Mehmet Ali Boran, İnsel İnal ve Gülçin Aksoy’un videolarından oluşuyor.</div>
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Sergide sanat merkezinin altı ayrı galeriye dönüştürülmüş mekânlarında temasal tutarlılıklar ve sanatsal ekollerin yanyanalığı aracılığıyla kurulan estetik temaslar dikkat çekiyor. Nezaket Ekici’nin 8 kanallı video çalışması “Tooth to Tooth” ise Türkiye’de ilk kez festival kapsamında gösterilecek.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-8501603787718372782016-06-09T03:00:00.001-07:002021-12-02T01:49:40.662-08:00Tasarım ve Sanat Pratiklerinin, Tarihsel Süreç Üzerinden, Toplumla İlişkilenmeleri. Eğitim Bilim Toplum Üç Aylık Hakemli Makale Sayı 52<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-42575579098298690622015-11-19T01:54:00.001-08:002021-09-28T06:52:15.067-07:00 STUDENT VIDEO ART FESTIVAL <div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 16pt; mso-ansi-language: EN-US;">KONSTANTIN PRESLAVKY UNIVERSITY OF SHUMEN<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 16pt; mso-ansi-language: EN-US;">FACULTY OF <span style="mso-spacerun: yes;"> </span>EDUCATION<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="BG" style="font-size: 16pt;"><o:p> </o:p></span></b></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><span style="font-size: large;"> </span></o:p></span></div>
<div class="MsoTitle" style="margin: 0cm 0cm 6pt 7.1pt;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><strong><span style="font-size: large;"> </span></strong></o:p></span></div>
<div class="MsoTitle" style="margin: 0cm 0cm 6pt 7.1pt;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><strong><span style="font-size: large;"> </span></strong></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">INVITATION<i style="mso-bidi-font-style: normal;"><o:p></o:p></i></span></b></div>
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<span lang="BG" style="font-size: 12pt;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></i></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></i></div>
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-size: 14pt; mso-ansi-language: EN-US;"><span style="mso-spacerun: yes;"> </span></span></i></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 14pt; mso-ansi-language: EN-US;">STUDENT
VIDEO ART FESTIVAL <o:p></o:p></span></b></div>
<div class="MsoTitle" style="margin: 0cm 0cm 6pt 7.1pt;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><o:p><strong><span style="font-size: large;"> </span></strong></o:p></span></div>
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<span lang="BG" style="font-size: 12pt;">16</span><span lang="BG" style="font-size: 12pt; mso-ansi-language: EN-US;"> </span><span lang="BG" style="font-size: 12pt;">-</span><span lang="BG" style="font-size: 12pt; mso-ansi-language: EN-US;"> </span><span lang="BG" style="font-size: 12pt;">18</span><span lang="BG" style="font-size: 12pt; mso-ansi-language: EN-US;"> </span><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">October </span><span lang="BG" style="font-size: 12pt;">2015</span><span lang="RU" style="font-size: 12pt; mso-ansi-language: RU;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">SHUMEN, BULGARIA</span><span lang="BG" style="font-size: 12pt;"><o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<span lang="BG" style="font-size: 12pt;"><o:p> </o:p></span></div>
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<span lang="BG" style="font-size: 12pt;"><o:p> </o:p></span></div>
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></b></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify; text-indent: 28.3pt;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">Dear
prof. Dr. Insel Inal,</span><span lang="BG" style="font-size: 12pt;"><o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="BG" style="font-size: 12pt;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify; text-indent: 28.3pt;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">We
are pleased to invite you to participate in Student Video Art festival, Shumen
2015, which will be held from 16 to 18 October in the Shumen University.</span><span lang="EN-US"><span style="font-size: large;"> </span></span><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">We'll be glad you and your students to participate in the festival.</span><span lang="EN-US"><span style="font-size: large;"> </span></span><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">Your participation will contribute to the promotion and consolidation of
long-standing cooperation between the two universities.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify; text-indent: 28.3pt;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify; text-indent: 28.3pt;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">Shumen
University will provide accommodation for you and the students.<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 7.1pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div style="text-align: center;">
</div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">Dean of the Faculty
of Education:</span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">Prof.
Dr. Hab. Margarita Boneva</span>
</div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"></span> </div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">Organizer and
Curator</span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"> </span><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;">of the Student
</span></div>
<div style="text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"> Video Art Festival: </span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: center;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"></span><span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><span style="mso-spacerun: yes;">P</span>rof. Valery Chakalov<o:p></o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt 212.4pt; text-align: justify;">
<span lang="EN-US" style="font-size: 12pt; mso-ansi-language: EN-US;"><o:p> </o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-31799644989363631632015-11-19T01:36:00.006-08:002021-12-02T01:50:03.756-08:00"Marx 2.0" Sergi<div class="separator" style="clear: both; text-align: center;">
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<span class="fsl"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;"><strong>amber’15 Sanat ve Teknoloji Festivali</strong> kapsamında gerçekleşecek MARX 2.0 sergisi, 6-15 Kasım 2015 tarihleri arasında Adahan İstanbul'da. <br /><br /> <strong>"ÇALIŞIYORUM ÖYLEYSE VARIM-LABORO ERGO SUM"</strong> temalı amber'15 ise, sanatla yeni teknolojilerin kesişiminde sergilere, atölye çalışmalarına, film gösterimlerine ve panellere yer veriyor.<br /><br /> MARX 2.0, an exhibition organized as part of the amber'15 Art and Technology Festival, will be on view through November 6-15, 2015 at Adahan Istanbul. With the "I WORK THEREFORE I AM - LABORO ERGO SUM" theme, amber'15 will include exhibitions, research workshops, film screenings and panels at the junction of art and new technologies.<br /><br /> <strong>Sanatçılar/Artists:</strong></span></span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /> Çağrı Saray <br /> Dilan Bozyel <br />İnsel İnal</span></span><span class="text_exposed_show"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Mehmet Öğüt <br /> Serkan Taycan<br /> Yeni Anıt <br /><br /> <strong>Küratör / Curator:</strong> Fırat Arapoğlu <br /> <strong>Koordinatör - Küratör / Coordinator - Curator:</strong> Bahar Ahu Sağın <br /><br /> <strong>MARX 2.0 <br /> DİJİTAL ÇAĞDA EMEK SÖMÜRÜSÜ</strong> <br /><br /> Uzunca bir süredir maddi üretimin toplumsal yaşamın temelinde olduğu düşüncesi aşındırılarak, yerine bilgi üretiminin önemi vurgulanmaktadır. Bilgi üretimini ellerinde bulunduranların ise bu sistemi yönlendireceği tezi sıklıkla dile getirilmektedir. Fakat bu bir örtüdür; prekarya üzerine yapilan çalışmalarda gördüğümüz gibi, sömürü sistemlerini örten, gizleyen bir örtü. <br /><br /> Çağımızda, akıllı telefonlar, tabletler ve phabletlerle interneti aktif bir biçimde kullanma pratiğiyse, bilgi tüketimi ve dijital tüketimin başka bir yönünü oluşturmaktadır. Bugüne kadar sadece piyasa odaklı tüketim yönelimlerine dair çalışmaların gösterdiği yapının dışında, bu alana karşı eleştirel ve politik bir tutum almak ise poetika’ya da düşüyor gibi görünüyor. Zira sanatta prekarya tartışmasını da uzunca bir zamandır yaşamakta ve tartışmaktayız. Böylece eleştirel, politik ve sanatsal bir duruş, bu bakış açısında inşa edilebilir. <br /><br /> Elimizde bulunan tabletlerin, telefonların ve makinelerin üretiminde, madenlerin, donanım imalatının, yazılımlar ve hizmetler gibi alanların görmezden gelinmesi de bu sürecin en basit örneğidir.“Innovasyon” dediğimiz sürece başlangıç eden ise tüm bu emek biçimleridir. Bu arka planın görmezden gelinmesi de dikkat çekici değil mi? <br /><br /> Böylece “dijital emek” terimini, dijital medyanın var olması, üretilmesi, yayılması ve kullanılması için gereken, karşılığı ödenen ve ödenmeyen tüm emek biçimlerini içerecek şekilde genişletmeyi öneriyoruz. Sınıflar aşınıyor tezine, sınıfların hiç olmadığı kadar belirgin olduğunu göstererek ve bu acidan bakılmasını önererek. <br /><br /><strong> MARX 2.0 <br /> EXPLOITATION OF LABOR IN THE DIGITAL AGE</strong> <br /><br /> For quite some time, the idea that material production is 'the basis of social life' is being eroded and the essence of information production is emphasized. It is very frequently stated that those in possession of such information generation would be guiding the aforesaid system. However, this is a cover; as we have seen in precariat studies, a cover that is concealing and hiding the systems of exploitation. <br /><br /> At present, the practice of using smart phones, tablets and phablets as well as the internet in an active manner constitutes yet another aspect of consuming information and digital consumption. Further to the structure that has been pointed out solely by studies concerning market-oriented consumption tendencies up to the present day, assuming a critical and political attitude towards this domain seems to pertain not only to politics but to poetica as well, because we have been experiencing and discussing for quite some time the argumentation regarding precariat in art. There by, a critical, political and artistic stance could be constructed under this perspective. <br /><br /> The simplest examples of this process consist of neglecting such fields like mining, hardware manufacturing, software and services provision in the production of the tablets, phones and machinery we hold. It is all of the aforementioned patterns of labor that initiate the process we refer to as “innovation”. Is it not worth considering that this background is disregarded and neglected? <br /><br /> We are hereby proposing the extension of the phrase “digital labor” so as to include any and all kinds of labor patterns required for existence, diffusion and utilization of digital media, remunerated for or otherwise. Demonstrating against the thesis of eroding classes, that such classes are more explicit than ever, and suggesting a perspective from this standpoint.</span></span></div>
</span><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-30960835274412236322014-12-18T01:33:00.002-08:002021-09-28T06:52:24.925-07:00Neoliberalizm ve Sanat Tasarım İlişkileri Üzerinden Tasarım Bienali<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-70733051438612740782014-10-24T03:30:00.000-07:002021-09-28T06:52:36.557-07:00Bienallerin Mirası Var Mı?<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-11455112963080784922014-09-20T12:18:00.000-07:002021-09-28T06:52:48.162-07:00Picasso olmasa ne olurdu?<div style="text-align: center;">
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Yazının tamamı için <a href="https://docs.google.com/document/d/1gsnVLxrKh4lUqF-k6gF4S0eOm-f8kal6vBT82qhceec/edit?usp=sharing" target="_blank">tıklayınız.</a></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-91561833532143424672014-09-20T11:49:00.001-07:002021-09-28T06:52:57.185-07:00Sanat Siyaset Kent İlişkisi"Sermayenin Betonunu Sanatla Sıvamak" Sol Dergi. Sayı 6<br />
<a href="http://haber.sol.org.tr/medya/santiyeler-cinayet-mahali-insaat-balonu-olduruyor-haberi-97082" target="_blank">Link için tıklayın</a><br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-19683575204811161172014-09-04T13:22:00.002-07:002021-09-28T06:53:08.842-07:00İktisat Dergisi Makale<div class="separator" style="clear: both; text-align: center;">
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İktisat Dergisi 6. sayısını Çağdaş Sanat ve Sermaye konusuna ayırdı. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Çağdaş Sanatın Değeri Ne Kadardır? başlıklı makale için <a href="https://docs.google.com/document/d/1Cq6uLuQKeEATejqruDQeZlYj7RIDqJvrpWZDFiplD-s/edit?usp=sharing" target="_blank">tıklayınız.</a> </span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1641477869825472179.post-6858962531565258112014-09-04T12:10:00.002-07:002021-12-02T01:54:19.629-08:00İktisat Dergisi Yuvarlak Masa Toplantısı<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">İktisat Dergisi 6. sayısını Çağdaş Sanat ve Sermaye konusuna ayırdı. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">29 Ağustos 2013 tarihinde Hamilikten Sanat Sponsorluğuna, "Sanatta Desteğin Değişen Karakteri" adlı bir yuvarlak masa toplantısı düzenledi. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Nora Şeni, Ali Akay ve İnsel İnal"ın katıldığı toplantının moderatörlüğünü Begüm Kösemen ve Fırat Arapoğlu yaptı.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Yazının devamı için <a href="https://docs.google.com/document/d/19l8stPAeLerrZinKydbguOLdu0T9KNaCKuYGj58Fui4/edit?usp=sharing">tıklayınız</a></span></div>
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